This feature has been divided into two posts, since the first one was getting a bit long. You can view part one here. So, continuing with making silly comments about holiday albums! I know, Christmas was yesterday, but why not keep the momentum going?
This is your blue-grey toned Photoshop filter on “Unrecognizable” mode.
I’m totally coveting her hat. The rest of it (including the weird font), not so much.
James Taylor looks quite nicely dressed up for Winter. Too bad he seems to be standing indoors, in front of a wall made of feces.
There are times when words and/or speech disappear for me, and this is one of those times. Also, I can’t help but notice how there is a present directly above HiDu’s head. I don’t think she’ll be quite as happy when it falls from the sky. Is she able to make gifts levitate magically? This remains unexplained.
I had no idea that Glamor Shots was still around.
This is Bright Eyes’ Christmas contribution, which is so morose-looking that I now have an incredible urge to buy it.
I want to buy this one, too, but for different reasons. Dolly Parton, you are my favorite implant-sporting woman.
The International Male Catalog presents: CHRISTMAS!
Christmas is the biggest sepia season of the year! Is there a reason why Celine appears to be smelling this package?
Thomas Kinkade’s first-ever celebrity portrait session goes tragically, terribly wrong.
Someone got a little excited with the Photoshop on this one. Is it just me, or does Josh Groban look like he’s all, “I’M STEALING YOUR SOOOOOOUL” instead of smiling coyly?
All I want for Christmas is for album cover designers to stop using computer graphics for nefarious purposes, such as putting little Santa hats on cover photos.
There are three of these?
Billy Gilman: I, TOO, AM STEALING YOUR SOOOOOOUL.
Merry Christmas! You get…I kind of don’t know what is going on here.
No, that’s not phallic at all.
I hope whomever designed this was severely reprimanded, both for making the normally lovely KT Tunstall look jaundiced, and for sticking her in a short-sleeved top OUT IN THE MIDDLE OF A FUCKING TUNDRA (or implying it, using the magic of cut n’paste). And then having the audacity to slap a bow onto such an atrocity.
I hope all of you who celebrate the holidays had a lovely time, and in case you didn’t get what you want this year, take heart: a Justin Bieber holiday album can’t be far behind.
A couple of years ago, I posted a bunch of images of holiday album covers on my Livejournal and attempted to make humorous comments about said images. Like obnoxious Salvation Army bell-ringers (and yes, that organization really is obnoxious, although I suppose one could just go with “noxious”) and insulting advertisements that pressure us–even in horrible economic times–to SPEND SPEND SPEND in order to show people that we really love them, holiday albums seem to be one of the more irritating (or hilarious) mainstays of the winter season in North America. There are many reasons as to why I find the holiday season ridiculous. This is just one of them. So, without further ado, I present “Rating Holiday Albums Based on the Covers,” now updated to include some holiday-themed albums released since mid-2008.
I got most of these images from music communities on Livejournal, because people on these communities seem to love holiday music. Good for them (also good for me, since I get to make a post like this).
Portions of the original post have been edited substantially, mostly to re-do repetitive jokes and fix some language and grammar issues.
Could anything be less appealing than what looks like a J. Crew ad in record form? Let’s not forget to tell Nick Lachey to stay out of it.I kind of love this one. Probably because of the plastic reindeer and also the font used.
It’s beginning to look a lot like spray tan. . .oh, I mean Christmas.
I don’t think the sepia tone nor the tank top that C. Ag is sporting here are particularly winter-appropriate.
Based upon the cover alone, I must listen to this album at some point. God, this is a brilliant album cover. It’s so deliriously terrible.
This looks like one of those bizarre ads that the Bradford Exchange puts on the back of Parade Magazine every Sunday.
It’s the first Christmas tree ever constructed solely from bat dung!
God, Billy Idol looks more like a skeevy lounge singer than ever before. I wonder if someone can talk him into doing a Christmas album with Scott Weiland. [Edit: I got my wish, sort of! See below.]
Somehow, I am reminded of the White Witch from The Lion, The Witch and the Wardrobe.
I am pretty sure that there is a Gender Studies dissertation just WAITING to be written about this cover.
No 11-year old with whom I have ever come into contact has had posture this good. Maybe Jackie Evancho is just that bad-ass, though.
If Mariah Carey’s album covers were as interesting and polished as her voice is, her second (!) holiday album would not be on this list. C’est la vie.
Call me a Tori Amos fandom Luddite, but I vastly prefer the album covers of hers that prominently feature things like mud, firearms, and dead chickens rather than someone getting over-enthusiastic about CG. Check some of the inner booklet art, too:
Tori’s outfit looks like something that you would see in an early-1980s David Cronenberg film, and I think this is a major improvement over the cover of Midwinter Graces for that exact reason.
WEILAND, WHAT HAPPENED HERE. YOU LOOK LIKE YOU JUST STEPPED OUT OF A BANANA REPUBLIC HOLIDAY AD. HONESTLY.
Part two will be posted soon. Until then, feel free to post your favorite (or least favorite) holiday album covers in the comments.
I find cover songs, on the whole, super-interesting; many of them are slices of various musicians and bands at their worst or most outright bizarre (see Nickelback’s cover of “Saturday Night’s Alright For Fighting” by Elton John) or their best (see below). Love ’em or hate ’em, covers seem to be a perennially-discussed topic amongst fans of music and popular culture. There is even a website devoted to covers.
This post collects just a few of my favorites, because a post of all of my favorite covers would be entirely too long. Lyrics for each song are linked via the song title.
Garbage did an absolutely stunning version of “Candy Says,” originally by the Velvet Underground, a while back:
Next up is Tori Amos, about whom I should probably just write a whole blog entry because she is so prolific with cover songs (TAKE NOTE, me). Anyway, she covered a bunch of songs written by men about women for her 2001 album Strange Little Girls, but two of the arguably best tracks from those recording sessions did not actually make it onto the album.
“After All” (David Bowie):
“Only Women Bleed” (Alice Cooper):
This doesn’t mean that Strange Little Girls was a bad album, however. Check out her piano and voice cover of Joe Jackson’s “Real Men” — a searing indictment of traditional masculinity that is still pretty damn relevant in the present moment, even though it was recorded in the early 1980s:
Covers have also been a unique part of Tori’s live shows. I would be remiss not to include her absolutely gorgeous organ-and-voice version of Prince’s “Purple Rain,” recorded in 1996:
Then there’s her version of Radiohead’s “Karma Police,” performed on tour in 2005:
Speaking of Radiohead covers, roots/Americana musician Gillian Welch has been known to cover “Black Star” in concert; in many ways, her version surpasses the original:
Again surpassing the original (which may equal blasphemy to some Dylan fans, I know): Nina Simone sings Bob Dylan’s “The Times They Are A-Changin’“:
I am including Antony and the Johnsons’ b-sided take on Beyonce’s “Crazy in Love” because it is so radically different from the original song (check those string arrangements), but still awesome:
Patti Smith’s album Twelve is a collection of covers; if you’ve ever wanted to hear Nirvana’s “Smells Like Teen Spirit” interpreted as a folk tune WITH BANJO, this is an album worth picking up:
And lastly, recently-departed R.E.M. once recorded an amazing cover of the Velvet Underground’s “Femme Fatale.” Michael Stipe’s quiet falsetto is, in many ways, an intense counterpoint to original VU vocalist Nico’s monotone:
Feel free, as always, to link your favorites in the comments.
I need to take a moment to rave about Urban Decay’s 24/7 Shadow Pencils ($20 US) and how fantastic they are. These are basically eyeshadows in pencil form, and I’ve found them extremely useful, but perhaps not for the reasons you’d imagine.
As most readers of this blog know, I have moderate to severe chronic pain and fatigue issues due to fibromyalgia. Cosmetics, for me, are usually not an “everyday” thing (save for lipgloss or lipstick, because those take about 15 seconds to apply if I’m not doing anything fancy) because of the time that it takes me to do a “nice” makeup job. More often than not, the time it takes for me to do “nice” makeup translates into lost energy and/or more pain. Pain due to repetitive motion is one of those things that is outside the realm of most abled peoples’ experience, but on my bad days, putting cosmetics on–and screwing it up, and more often than not having to start all over again–can be physically painful. And yes, some people may be thinking, “Yeah, RIGHT, putting on eyeshadow can’t be that painful!” For me, though, it can be, and I’m sure a lot of people with fibro would say something similar. Just try putting on makeup when your arm feels like it’s been weighted down with a huge piece of iron. After a certain point, it just doesn’t feel worth it anymore, particularly if you’re in a lot of pain and yet you keep making mistakes with makeup application because you are in pain. Parts of it seem very chicken/egg.
Enter the UD 24/7 pencils. One or two swipes of the pencil is all it takes, and the actual shadow component of the pencil is large enough that it’ll cover your entire lid (downside: can lead to some imprecision). Granted, these aren’t going to completely prevent pain from repetitive motion, but the one or two swipes and you’re done thing is a huge improvement over having to apply eyeshadow primer, then apply shadow with a brush, then do it again if you screw up, then clean the brush(es) after you use them, et cetera. I haven’t tried blending these yet (and once I do, I’ll write about the results), but I will probably end up getting a few of these because they are awesome. I have the one in Sin (a very shimmery pink champagne/beige shade), and would like to try Barracuda (black with silver shimmer), Delinquent (shimmery eggplant purple), and Mercury (gunmetal gray). If you have chemical sensitivity issues, I am not sure if these would be appropriate given the list of ingredients (scroll down the page for ingredient lists; each pencil may contain different pigments and such).
In short, these things are awesome, and I highly recommend that you give them a go, if you’re so inclined.
[A slightly different version of this post appeared on my Tumblr.]
[Introductory note: This was originally published on my old blog on March 10, 2007; because I am nothing if not a complete and total buzzkill, I think it’s worth re-archiving here, particularly since “new age” thought has a pretty strong foothold in Western–and particularly North American–culture. This sort of magical thinking still has a strong grip in many folks’ consciousness, even given the recent economic downturn; maybe I’m just naive, but I find the fact that some people can still be all ~*POSITIVE THINKING*~ and/or YOU GET BACK WHAT YOU PUT OUT even amidst widespread economic chaos and a brutal job market extremely surprising, and pretty sad.
Then again, realistic thinking has never been America’s strong suit, particularly amongst the privileged classes. The following post has been slightly edited for clarity. I have since written quite a bit on “positive thinking” as a means of social control, mostly at FWD: The Negative Side of Positive Thinking; Book Review: Bright-Sided; Just. For more information about precisely how harmful “positive thinking” can be when taken to the extreme, I highly recommend this blog post by Dr. David Gorski at Science-Based Medicine, which covers the Kim Tinkham case in detail (content warning for discussion of cancer).]
I just watched the latest and supposedly “greatest” in the self-help/marketing peoples’ insecurities back to them market, The Secret.
I sort of want that 90 minutes back. Now, before people start jumping on me and calling me negative, skeptical, bitchy, et cetera, let me assure you: I am, indeed, all three of those things. I tried to watch The Secret with an open mind. I really, truly did. But, I have to say, besides some of the stuff about visualization*–which I have thought of as a powerful tool for a while, and, at times, it has absolutely worked for me–I simply was unable to get on The Secret bandwagon.
I don’t know what it was that made me so hostile to the entire thing. Was it the overproduced “dramatic” re-enactments, some of which look very familiar to even a casual viewer of the History Channel? Was it “Dr.” Joe Vitale, Metaphysician,** who contends that ALL of the bad circumstances in your life come to you because of, well, you and your horrible, horrible negative thoughts? Was it Lisa Nichols, who was one of four women interviewed (out of 16-17 people) and one of two people of color interviewed? (She seemed to be the most sincere out of all of the “Teachers” interviewed, which endeared her to me quite a bit.) Was it the many shots of people from Other Lands, smiling and laughing, and getting fawned over by the “Teachers” due to their “natural” ability to Make Do With What They Have? Was it the completely oxymoronic focus on using The Secret to gain material things, money and houses (focused on after the many shots of our friends from other lands)? Was it the bizarre assumption that everyone watching the video wants the same damn things? Eeeek!
Then I reread this fantastic article, which outlines some of the problems with The Secret, and how Oprah, unfortunately, has basically adopted it as her credo and is trying to get her viewers to do the same. If it works for her, great. However, one thing that has bothered me about Oprah’s unquestioning acceptance of The Secret is this: It reinforces the great American trope of pulling oneself up by one’s bootstraps. AKA: If Oprah/some disadvantaged person has become successful, then you can, too! All you have to do is think positive thoughts!
There is, of course, a lot more to it than that. I’m all for thinking good thoughts, but it is the denial of reality and various systems of oppression that make this position worse. Racism, for example, is one thing that is consistently denied as to its very existence. I have news for you, folks: Racism still very much exists. I can certainly create a non-racist America in my own mind (and let me tell you, it is awesome), but to see it in front of me is going to take some major societal changes. And it’s the same with sexism. And homophobia. And ableism, and classism, and all of that other fun stuff. “Creating your own reality” only goes so far–eventually, you will run into a structure that is bigger than you, and oftentimes, these structures are oppressive and hurtful to many people. I’m sorry if that sounds “negative,” but it is true for a lot of us. Not many people can conveniently ignore these structures in order to “think positive.”
Bad things are going to happen. Bad feelings happen. That is part of life. One of the Noble Truths of Buddhism, after all, says that life is full of suffering. Of course it is, even though it is also full of Great Things. To deny this is to deny an actual, authentic life. And I have to say, I feel sorry for anyone who shies away from feeling the full spectrum of emotions because they think that “negative thoughts will attract bad things,” (one of the claims espoused in The Secret). Yes, negative thoughts suck. They make us feel bad. But trying to be aggressively “happy” is not only potentially dangerous, it’s Pollyanna-esque and annoying.
[*Visualization, however, is one tool that I really, really like, mostly because it forces me to use my imagination and is quite fun. It’s nothing new, however; various self-help gurus have been promoting this tool for years. Even if it doesn’t work, it’s still fun, and, unlike some of the professional bullies who harangue you for an hour and a half in The Secret, it (most likely) won’t make you feel bad about yourself.]
**I kid you not; this was listed as his actual professional title during the video. When I grow up, I wanna be a Metaphysician!
[Image of Annaham, a young woman with dark blond hair (worn in a bun) and blue eyes, sitting on a couch and pursing her lips in an exaggerated manner. She wears a black t-shirt and fuchsia lipstick.]
So, sometimes I like to wear makeup. This is not exactly news, I know.
In this photo, I am wearing Urban Decay’s Trainwreck lipstick, which is BRIGHT FUCHSIA, and it has glitter in it. I should note that I am not wearing any other makeup here, hence the wonky left eyebrow and skin unevenness. After I first bought this lipstick, I was kind of afraid to wear it in public because it is SO BRIGHT on my lips. I feel like someone, at some point, may come up to me and say, “That lipstick is too bright for your lips! Wear something more neutral.” (This may or may not be followed by an invasive question about my cane, because people commenting on someone’s appearance tend to pull that kind of shit, at least in my experience.)
To which I say: This is the only bright lipstick shade that I own, and I usually have issues with my lips in that I think they are too big and/or “out there.” That feeling seems to take a backseat when I wear this lipstick. Sometimes I just want to say, “MY LIPS ARE BIG AND THEY ARE COVERED IN BRIGHT FUCHSIA LIPSTICK, DAMMIT. OH, AND I WALK WITH A CANE BECAUSE I HAVE A DISABILITY, SO YOU CAN TAKE YOUR JUDGMENT AND SHOVE IT.”
I am not sure what walking with a cane and wearing bright lipstick have to do with each other. Maybe they have nothing to do with each other. But I will apologize for neither, and, in some way, I may be further inching toward accepting myself just a little more.
[Originally posted on my Tumblr]