This is part one of a two-part post on Roxy Music and Bryan Ferry, and why they are fabulous. The songs here are some of my favorites, and this post is intended to give readers/listeners a little preview as to this band’s total awesomeness. Take it away, random YouTube users!
“In Every Dream Home a Heartache” from For Your Pleasure (1972): This, unequivocally, is the song that made me a Roxy fan. There are so many layers here — like a delicious sandwich, if you will pardon the metaphor — and, more importantly, you do not have to know jack shit about music, songwriting, or composition to realize this. The lyrics, I think, essentially predicted suburbia’s dead end and/or souless McMansion-white-picket-fence-with-traditonal-heterosexual-marriage-big-SUV-and-2.5-children before those things even existed as specific Western cultural artifacts. I am sure that there is some sort of Technocultural Studies dissertation that could be written about this song (perhaps with a snappy, oh-so-postmodern title to go along with it?), but my relentless fannish devotion (among other things) prevents me from even considering taking on such a project.
“Mother of Pearl” from Stranded (1973): While it’s not my favorite Roxy song, it is a classic, and a good introduction to the band’s overall style.
“The Thrill of it All” from Country Life (1974): Ignore the retrogradely sexist cover art — and also dig the weirdness of that command coming from someone who has a degree in Women’s and Gender Studies (namely me). Country Life is my favorite Roxy album other than For Your Pleasure, and admitting this probably counts as blasphemy in some circles (as it was the group’s first album after Brian Eno left). But admit it, I must, because the album is so freaking good. And one verse (somewhat indirectly) alludes to a rather famous Dorothy Parker poem, so what’s not to love?
“Casanova” from Country Life (1974): This is my favorite Roxy song of all time. I can’t quite put into words how fantastic it is in every way possible; thus, I urge you to listen. The lyrics are brilliant; anyone who’s been graphically catcalled by gross dudes or unskillfully hit on by some creepy, drunken fraternity trust-fundie asshat at a bar will be able to relate. I would like to think that this is Bryan Ferry’s message to other dudes in which he says, “Guys, stop acting like such monkeys and/or thinking you’re totally suave, because you are actually the opposite of suave,” but my interpretation could be way off.
“Same Old Scene” from Flesh + Blood (1980): It’s from the ’80s! Otherwise known as that decade where some mostly drugged-out rich people made a lot of terrible music, and which is mostly invoked when hipsters want to be nostalgic for crap that they were too young to remember as crap! But please, do not worry, because “Same Old Scene” is an example of something good that came from that decade.
And if, after all of that, you need evidence that Bryan Ferry’s “still got it,” look no further than his many Bob Dylan covers, including “Don’t Think Twice, It’s Alright” (performance is in the first two minutes or so of the clip, and the rest consists of him talking about his album of Dylan covers, which is also interesting):
Better than the original, I think (again, blasphemy in certain circles). But then again, I am one of those weirdos who really likes his cover of “A Hard Rain’s a-Gonna Fall,” (link goes to an absolutely incredible short film of Ferry’s version that must be seen to be believed), mostly because that cover is so bizarre that it ends up being wildly entertaining.
That concludes part one of my Roxy Music/Bryan Ferry post; part two will be posted soon.