Tag Archives: Music

Important!

I have a guest post up at the amazing blog Tiger Beatdown! This is exciting, at least for me! Please go read it (even though it is kind of long)!

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Why Roxy Music is awesome (as is Bryan Ferry)

This is part one of a two-part post on Roxy Music and Bryan Ferry, and why they are fabulous. The songs here are some of my favorites, and this post is intended to give readers/listeners a little preview as to this band’s total awesomeness. Take it away, random YouTube users!

“In Every Dream Home a Heartache” from For Your Pleasure (1972): This, unequivocally, is the song that made me a Roxy fan. There are so many layers here — like a delicious sandwich, if you will pardon the metaphor — and, more importantly, you do not have to know jack shit about music, songwriting, or composition to realize this. The lyrics, I think, essentially predicted suburbia’s dead end and/or souless McMansion-white-picket-fence-with-traditonal-heterosexual-marriage-big-SUV-and-2.5-children before those things even existed as specific Western cultural artifacts. I am sure that there is some sort of Technocultural Studies dissertation that could be written about this song (perhaps with a snappy, oh-so-postmodern title to go along with it?), but my relentless fannish devotion (among other things) prevents me from even considering taking on such a project.

“Mother of Pearl” from Stranded (1973): While it’s not my favorite Roxy song, it is a classic, and a good introduction to the band’s overall style.

“The Thrill of it All” from Country Life (1974): Ignore the retrogradely sexist cover art — and also dig the weirdness of that command coming from someone who has a degree in Women’s and Gender Studies (namely me). Country Life is my favorite Roxy album other than For Your Pleasure, and admitting this probably counts as blasphemy in some circles (as it was the group’s first album after Brian Eno left). But admit it, I must, because the album is so freaking good. And one verse (somewhat indirectly) alludes to a rather famous Dorothy Parker poem, so what’s not to love?

“Casanova” from Country Life (1974): This is my favorite Roxy song of all time. I can’t quite put into words how fantastic it is in every way possible; thus, I urge you to listen. The lyrics are brilliant; anyone who’s been graphically catcalled by gross dudes or unskillfully hit on by some creepy, drunken fraternity trust-fundie asshat at a bar will be able to relate. I would like to think that this is Bryan Ferry’s message to other dudes in which he says, “Guys, stop acting like such monkeys and/or thinking you’re totally suave, because you are actually the opposite of suave,” but my interpretation could be way off.

“Same Old Scene” from Flesh + Blood (1980): It’s from the ’80s! Otherwise known as that decade where some mostly drugged-out rich people made a lot of terrible music, and which is mostly invoked when hipsters want to be nostalgic for crap that they were too young to remember as crap! But please, do not worry, because “Same Old Scene” is an example of something good that came from that decade.

And if, after all of that, you need evidence that Bryan Ferry’s “still got it,” look no further than his many Bob Dylan covers, including “Don’t Think Twice, It’s Alright” (performance is in the first two minutes or so of the clip, and the rest consists of him talking about his album of Dylan covers, which is also interesting):

Better than the original, I think (again, blasphemy in certain circles). But then again, I am one of those weirdos who really likes his cover of “A Hard Rain’s a-Gonna Fall,” (link goes to an absolutely incredible short film of Ferry’s version that must be seen to be believed), mostly because that cover is so bizarre that it ends up being wildly entertaining.

That concludes part one of my Roxy Music/Bryan Ferry post; part two will be posted soon.

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Because I am not feeling well today…

A clip of Tori Amos performing “Precious Things” [lyrics here] on Sessions at West 54th. This clip also features an introduction by David Byrne, who–WHADDAYA KNOW–released an album today on which he and Fatboy Slim collaborated with a great roster of musicians, including Tori! This is probably NSFW.

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For your consideration

When I blogged about Evelyn Evelyn for FWD over a month ago — critiquing it from a feminist disability perspective — I got all manner of off-topic reactions, including derails, a bunch of abled people showing up to tell me how things really are and/or spewing their privilege all over the place, and death threats.

When Amanda Palmer got blogged about on Jezebel.com a few days ago, she got an interview with the New York Times…about feminism. She referred to this on Twitter as “life/lemonade!”

So, what sort of lemonade am I supposed to make from death threats? Or from Palmer herself recently making the very existence of disabled feminists into a joke on Australian television?

For the record, I have yet to be contacted by any mainstream press outlet regarding my views on feminism, and my contact info is easily available. I am pretty sure that these same press outlets have yet to contact Lauredhel or Sparkymonster, both of whom have eloquently critiqued some of the less savory things that Palmer has treated us to in recent weeks.

And: cue comments here telling me that I shouldn’t be so invested in getting press or furthering my own goals or anything. Obviously, that’s for famous people only, not feminists with disabilities who don’t get paid for raising these issues (and then get heaped with abusive comments for even speaking up). I’ve spent a vast amount of time thinking and writing about this stuff — and disability feminism, too — but, of course, it’s just a hobby, whereas Palmer has a job creating art, and why aren’t I spending my time on more important disability issues?

Because all of this has affected me in a manner that is deeply fucking personal, that’s why. I am not going to apologize for finally wanting to consider my own bottom line in all of this, particularly when I’ve given so much of my time and energy to this “internet controversy” — only to get hit with what is, quite frankly, a bunch of bigoted crap.

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Quick Hit: Jesse Sykes fan art

I spilled tea on a drawing I was doing for Jesse Sykes (whose music you should check out, and whose concert I will most likely be attending tomorrow night!) and, in the spirit of the lemons/lemonade thing, decided to just go with it (click for big):

In case anyone was wondering, the type of tea spilled here was Blood Orange.

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